William Shakespeare's Macbeth: Act 3 Scene 4 Essay
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William Shakespeare's Macbeth: Act 3 Scene 4
The very start of the scene begins with order, commencing with a banquet. The director might choose to set the stage as a grand hall with a large banquet table accompanied with a majestic feast. The room would appear grand and formal. Overall the scene is set with a sense of perfection. Macbeth enters and addresses his guests,
"You know your own degrees, sit down. At first
And last the hearty welcome."
Macbeth acts extremely noble and would be regally dressed. He has become accustomed to fitting into his role as King. The atmosphere is light hearted the lighting would be gentle.
As the first murderer appears at the door, tension and suspense…show more content…
This suddenly creates a large climax of the build up of tension and horror. Lighting would change and so the music would be more sinister as to show Macbeth's delirium. The director would probably choose to have the ghost visible to the audience, which would create more horror as only Macbeth can see the ghost. At this point Macbeth is filled with trepidation, as the ghost would be a grotesque figure. If the ghost was not shown, the audience would still feel a large sense of fear as Macbeth hilariously screams to the ghost, "Hence, horrible shadow, Unreal mockery, hence!" The atmosphere is frantic as Lady Macbeth tries to reassure the guests and regain order.
"The fit is momentary, upon a thought
He will again be well. If you much note him,
You shall offend him, feed and regard him not."
Order is restored, but when the ghost returns Macbeth returns to his frenzy,
Avaunt, and quit my sight, let the earth hide thee!
Thy bones are marrowless, thy blood is cold;
Thou hast no speculation in those eyes
Which thou dost glare with!"
Macbeth would be pale, shaking, petrified unable to compose himself. Lighting and music would again be used to create the malicious evil around him. At the end of the scene, the tension is dropped slightly as Macbeth regains his composure.
"And betimes I will, to the weird Sisters.
More shall they speak; for now I am bent to
Summary: Act 3, scene 4
Onstage stands a table heaped with a feast. Macbeth and Lady Macbeth enter as king and queen, followed by their court, whom they bid welcome. As Macbeth walks among the company, the first murderer appears at the doorway. Macbeth speaks to him for a moment, learning that Banquo is dead and that Fleance has escaped. The news of Fleance’s escape angers Macbeth—if only Fleance had died, he muses, his throne would have been secure. Instead, “the worm that’s fled / Hath nature that in time will venom breed” (3.4.28–29).
Returning to his guests, Macbeth goes to sit at the head of the royal table but finds Banquo’s ghost sitting in his chair. Horror-struck, Macbeth speaks to the ghost, which is invisible to the rest of the company. Lady Macbeth makes excuses for her husband, saying that he occasionally has such “visions” and that the guests should simply ignore his behavior. Then she speaks to Macbeth, questioning his manhood and urging him to snap out of his trance. The ghost disappears, and Macbeth recovers, telling his company: “I have a strange infirmity which is nothing / To those that know me” (3.4.85–86). As he offers a toast to company, however, Banquo’s specter reappears and shocks Macbeth into further reckless outbursts. Continuing to make excuses for her husband, Lady Macbeth sends the alarmed guests out of the room as the ghost vanishes again.
Macbeth mutters that “blood will have blood” and tells Lady Macbeth that he has heard from a servant-spy that Macduff intends to keep away from court, behavior that verges on treason (3.4.121). He says that he will visit the witches again tomorrow in the hopes of learning more about the future and about who may be plotting against him. He resolves to do whatever is necessary to keep his throne, declaring: “I am in blood / Stepped in so far that, should I wade no more, / Returning were as tedious as go o’er” (3.4.135–137). Lady Macbeth says that he needs sleep, and they retire to their bed.Read a translation of Act 3, scene 4 →
Summary: Act 3, scene 5
Upon the stormy heath, the witches meet with Hecate, the goddess of witchcraft. Hecate scolds them for meddling in the business of Macbeth without consulting her but declares that she will take over as supervisor of the mischief. She says that when Macbeth comes the next day, as they know he will, they must summon visions and spirits whose messages will fill him with a false sense of security and “draw him on to his confusion” (3.5.29). Hecate vanishes, and the witches go to prepare their charms.Read a translation of Act 3, scene 5 →
Summary: Act 3, scene 6
That night, somewhere in Scotland, Lennox walks with another lord, discussing what has happened to the kingdom. Banquo’s murder has been officially blamed on Fleance, who has fled. Nevertheless, both men suspect Macbeth, whom they call a “tyrant,” in the murders of Duncan and Banquo. The lord tells Lennox that Macduff has gone to England, where he will join Malcolm in pleading with England’s King Edward for aid. News of these plots has prompted Macbeth to prepare for war. Lennox and the lord express their hope that Malcolm and Macduff will be successful and that their actions can save Scotland from Macbeth.Read a translation of Act 3, scene 6 →
Analysis: Act 3, scenes 4–6
Throughout Macbeth, as in many of Shakespeare’s tragedies, the supernatural and the unnatural appear in grotesque form as harbingers of wickedness, moral corruption, and downfall. Here, the appearance of Banquo’s silent ghost, the reappearance of the witches, and the introduction of the goddess Hecate all symbolize the corruption of Scotland’s political and moral health. In place of the dramatization of Macbeth’s acts of despotism, Shakespeare uses the scenes involving supernatural elements to increase the audience’s sense of foreboding and ill omen. When Macbeth’s political transgressions are revealed, Scotland’s dire situation immediately registers, because the transgressions of state have been predicted by the disturbances in nature. In Macbeth’s moral landscape, loyalty, honor, and virtue serve either as weak or nonexistent constraints against ambition and the lust for power. In the physical landscape that surrounds him, the normal rules of nature serve as weak constraints against the grotesqueries of the witches and the horrific ghost of Banquo.